fleeting notes

Edmund's fleeting notes

Most software today is industrially produced for mass-market consumption. The tools we build in our private workshops feel more like the utensils in a home kitchen: familiar, sharp, durable, and shaped to how you actually live and work.

The scriptorium and the machine

Bridging the monastic scriptorium and frontier computation. One brings the patient reverence for language, theology, and memory; the other brings execution velocity.

In an increasingly synthetic, digital age, physical artifacts (field notebooks, embroidered caps, letterpress broadsides) become sensory anchors that prove the studio values craft across every medium.

Crowdfunded public research

Independent research sustained by public patronage and guild membership rather than venture-backed software models. Building tools for thought with the garage door wide open.

The simulation inversion

If you do not publish your authentic thinking, ambient AI models will still simulate you, but from a distorted vacuum. Publishing a rich, structured stream of thought creates an asynchronous intellectual interface that filters for the highest-resonance peers.

Social feeds reward performance and provocation. The sovereign web rewards compounding depth. Owning the canvas, typography, and permalinks restores sanity to intellectual craft.

Living singular pages

Adopting Derek Sivers' model of living, zero-friction pages: /ai for how I am actively using frontier systems today, /now for current focus, and /tools for my recommended software stack.

The real distinction in modern AI work is not between human and machine. It is between lazy consumer prompting and the deliberate, disciplined craft of an orchestrated atelier.

King of Hearts